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Archive for the ‘Video’ Category

Chatroulette – the hot new place for brands?

Monday, March 1st, 2010

chatrouletteIf you are looking for evidence that brands are losing a bit of their coyness when it comes to social media check out who is now using controversial video dating/exhibitionism site Chatroulette.

In case you missed the hype Chatroulette started at the end of last year and it randomly connects users from around the world, enabling them to communicate using webcam, text and images. Much of the time though users share webcam footage with each other and much of it is, (our research team reckons about 10%) shall we say, of a slightly raucous nature.

That hasn’t put off French Connection. Once famous for their edgy (at the time anyhow) FCUK campaign, they are using the site to run a competition where men are being asked to set up a real date with a girl on the site. The bloke not only gets a date but also £250 worth of French Connection vouchers.

The competition is part of French Connection’s The Man, The Woman campaign launched in February, which aims to draw more attention to its men’s range of clothing. You can find more about it, and the competition on the blog here.

I think we are going to see lot more of this type of social media bandwagon hopping. Brands who want to perceived as edgy will soon be competing with each other to harness the hot new thing in social media.

I think this is probably more about the company and its agency, Poke, wanting to shown how much social media credibility they have than actually wanting to engage with an audience. Nevertheless I will be keeping my eye on Chatroulette/brand tie ups. Now how do you get your brand on to Farmville…

2009: how it was for us

Friday, December 18th, 2009

The office has been full to bursting this week with mince pies (thanks Lewis), birthday cakes (courtesy of Tara and Gill) and home made Christmas cake (from my Geordie gran). Amidst the crumbs and tinsel, we’ve been reflecting on what’s been a busy and incredibly productive year, so I thought I’d share my take on Shiny Red in 2009.

Without doubt there’s been a real growth in demand for digital innovation, driven by consumer brands and public sector clients who now expect to choose from a portfolio of online comms services. We’ve constantly evolved our offer to meet this demand, and looking back, it seems as if the year unfolded as distinct social media seasons.

So spring saw us creating social sites for two quite different clients. Yell.com wanted to encourage people to and around the site so we developed Sort Your Life where each month an expert guest blogger would write on a theme like fitness or fashion. For Reckitt Benckiser, the brief was to inspire graduates about available career opportunities, so our approach was to develop a site where new joiners from around the world could talk about their front-line experiences.

By the summer, web video had really come into focus, and we worked with fashion stylist Louise Roe on a series of films to help launch social shopping site very.co.uk. We also got to meet Peter Crouch at an East London soccer skills academy and filmed him in action for the National Lottery Promotions Unit (an edited version is on our homepage video). Video was also a powerful way for us to showcase a new interactive Piccadilly Circus sign for McDonald’s to bloggers and photography communities (thanks, Leo Burnett!).

Autumn was the season of microblogging: we helped Habitat relaunch the brand’s Twitter feed, which now provides offers, updates, and store news. We also issued a major report into online buying behaviour for eBay Advertising, and asked the great British public for messages to put on advertising billboards around the UK for Cadbury Wispa Gold.

Everyone needs warming up in the winter, so our Twindaloo app for Cobra that analyses your Twitter profile to find out what type of curry you are provided a welcome touch of spice to our lives, as did managing the brand’s 60,000-strong Welovecurry Facebook group. We went live with Pfizer’s Man MoT to give men health advice from doctors via an online surgery, and partnered with MySpace for the NHS Teen LifeCheck campaign that asked teens to take a quiz and find out how healthy they are in return for the chance to win a gig by R+B artist Chipmunk at their school.

Of course talking to bloggers and web communities was – and is – still very much on the agenda for clients including Molson Coors’ Bittersweet Partnership which looks at women’s attitudes towards beer, and Odeon which saw us we targeting film bloggers and heavy metal fans to promote Iron Maiden’s Flight 666. And in one of PR Week’s digital campaigns of the year, we unveiled the wedding of Bertie and Betty Bassett for Red Allsorts via Facebook and YouTube.

I could go on because there’s so much more great work that the team has done this year, but the end of the year is time to look forward as well as back. Ash has been gazing into his crystal ball and will share his some thoughts about what 2010 will hold next week.

Meanwhile (and apologies for a slight touch of the Oscars …) huge thank yous go out to all the lovely Shiny Redders for making 2009 a vintage year, to our colleagues at Red for all their amazing support over the last 12 months, and to you the reader for being part of it with us. 

Merry Christmas, and have a happy, healthy and social New Year!

Everyday Adventures – New videos for UK parents

Tuesday, June 23rd, 2009

Over the last 6 months, we’ve been working on a video project which aims to tell parents from a range of backgrounds about some of the real life stories and circumstances that people in their positions find themselves in.

“Everyday Adventures” tells the stories of ordinary families from around the UK as they face these and other challenges. There’s a mix of real life and animation films, packed with useful information on: registering your child’s birth; parental rights; benefits you may be eligible for; and the availability of extended services in schools. Also included are links to organisations that can provide further help and support to mums and dads in all areas of family life.

To reflect the multicultural nature of UK families, the videos are available in English, Polish, Somali, Bengali and Guajurati. We’ve created MySpace and YouTube pages for the videos so you can check them out and let us know what you think. Our favourite is Wayne’s story

The web on your tellybox – an update.

Monday, April 20th, 2009

Adapted by the author from an original post at social Probiotic

A few months ago I wrote a piece on my own blog about internet content making its way to the TV screen. Not in a Media Center box kind of way, but a way that is done from the point of view of the television industry. It’s now time for the other big event of the braodcasting calendar, NAB in Las Vegas, which unfortunately, I’ll not be attending. There was however, a chance to see some of the things that will be on display there at the IPTV World Forum in London last month. Once again, for a show that is about using internet technology, there was disappointingly little about internet content to see. But here’s a run down of what some of the TV tech companies are doing with social media.

Accedo: This is more of an update from what they showed me at IBC, essentially, they’ve taken on the ‘app’ model for Facebook and Twitter so that you can view a cutdown version of these applications as a sidebar during your normal TV watching. In the same way that online applications such as thwirl and digsby recognise that some things need to be kept in the background while you’re focusing on your main task, Accedo will sit completely unassumingly until you want to share what you’re doing with your network. It also integrates with your EPG, so that just using the coloured remote buttons, you can update what you’re watching. Neat, look:

accedo

SeaChange: as a company I’ve done some work with before, I was curious to know what this middleware provider was up to in the world of web content. They’re showing off Affinity, a social networking engine for video-on-demand, essentially a tool that allows you to make and take recommendations for stuff in a VOD library, the idea being that people will discover pay-per-view content that they might not normally find (= extra revenue for operator). The problem I have with this is that it seems that the recommendations are done via collaborative filtering (i.e. you share what you like with your friends and vice versa), which means that the solution is only good when your friends like the same stuff as you AND they happen to have an Affinity enabled TV service. If it was linked to a social network’s API, there would be a lot more value from this and it wouldn’t necessitate the latter point.

Ericcson: Yes they do TV, in fact, they were showing last.fm on TV – not the actual videos, but essentially, it’s an ‘app’ built for playing music through your TV when you get very bored of adverts for ringtones on VH1. I’m not entirely sure where it sits in the network because they don’t seem to be talking about it in any of their literature or website, which is a shame. I liked the demo though, it looks pretty slick and my TV has better sound quality than my PC, so I’m all for taking this particular service to the living room in another way (I currently use the last.fm app on my iPod quite frequently for that type of thing. Pic below:

ericcson

CompleteTV: Now I have to say I’m more than a little disappointed with these guys. Despite having a fairly nice booth at IPTVWF, and splashing the YouTube Logo across it a couple of times, looking at their site, I fail to see how that was any more than lip service to online media making its way to the TV in any genuine form. Fear of content producers… perhaps. Now, that might sound harsh, but here’s the thing… CompleteTV makes boxes – not a great start… boxes for the consumer (even worse, since most of this stuff will migrate to the network in 3-4 years), which, with the whole wealth of social media goodness out there can do all this: “browse the internet and act as an email/instant messaging client”. Wow. I’m hugely underwhelmed.

Finally I wanted to quote a great article from the March/April issue of Future Media, in which Jonathan Webdale has interviewed Anthony Rose, one of the big cheeses behind the iPlayer, who said that “2007 was the year the BBC chose what you watched, 2008 was the year viewers chose what they watched and 2009 would be the year your friends choose what you watch.” As long as it’s not the rest of the Shiny Red team choosing, I’m keen to see how it goes.

How the Guardian’s Ian Tomlinson G20 video changes the media landscape

Wednesday, April 8th, 2009

An astonishing piece of amateur video obtained by the Guardian shows just how much the world has changed for big media players. The footage shows Ian Tomlinson, the man who died at last week’s G20 protests in London, being struck by a police officer and falling to the ground minutes before suffering a fatal heart attack.

You can view the film and make up your own mind about the incident, now the subject of an investigation by the Independent Police Complaints Commission. My focus here is to discuss how the footage and surrounding story has played out across old and new media in an exceptionally powerful and converged way.

The Guardian has scored a major coup, not just in getting hold of what is an extraordinary news exclusive, but for how it has successfully delivered the story via its traditional print product, its own web site, and across social media too. (I have to declare an interest as my husband David Taylor works on the Guardian’s home news desk and has been pivotal in developing this story over the last few days.)

Consider this: The Guardian had an exclusive, yet it chose to share its content before it appeared in print, running the video and a first break on the story on its web site yesterday evening. In the ‘old’ days of print journalism this would have been inconceivable, to the point that the red top tabloids would regularly run weak front page stories in their early editions, revealing their big exclusives only in final 3am print run.

As soon as the video appeared other newspapers’ sites were linking to it and capturing the footage or still images to use themselves, and crediting the Guardian. Meanwhile broadcasters including the BBC, Sky and Channel 4 featured it extensively on their news bulletins, again promoting the Guardian name.

At the same time, social media was fuelling the story, with Guardian journalists using Twitter to share the video URL. Mass retweets followed and within hours, “Ian Tomlinson” was trending on Twitter as one of the 10 most written about topics.

Today the Guardian’s print edition has extensive and detailed analysis of the film by reporter Paul Lewis to augment his online story, while the web site is offering bloggers the footage to embed. And rival media from the agenda-setting Today programme to competitor broadsheets are still crediting the Guardian as the source.

So what does this tell us? Firstly that high-quality content is crucial - without an exceptional story none of this would have happened. Second, strategic use of the right media channels – print, social media, web site – can have a multiplying audience effect not a minimising one. Third, that media businesses now are not “papers” or “web sites” but brands, regardless of how we consume their content. The Guardian’s liberal stance helped it secure the story, and its brand has been strengthened by the extensive cross-promotion it has since received.

Are you prepared to save Tango?

Friday, December 5th, 2008

Brtivic have made a great effort in fighting their declining sales  with an upbeat integrated marketing campaign which portrays Tango as a British institution and asks the public to get behind the brand.

For the campaign they have rolled out some amusing but captivating videos ““ here’s my favourite:

Their website, Save Tango  is a great resources for the fans of this campaign. It holds content for you to do your own offline PR ““ you can download and print off stickers, stencils and letters to lobby shops to bring back Tango. The website also includes games, chances to sign a petition and watch vintage adverts.

No doubt inspired by the award winning ‘Bring back the Wispa!’ campaign, this strategy of saving or reviving a traditional brand through new media has a precedent of success. The fan page already has 343 members and has been running for two weeks.

Tell us about the last good party you went to…?

Wednesday, November 12th, 2008

As part of activity to celebrate all the ways you can organise a party on Yell.com, I had a good day asking members of the public about the last party they went to. Below is the result, unsurprisingly a few juicy anecdotes were shared and it was obvious that we do like to party!

The video was also posted on one of our favourite blogs, Londonist, who were celebrating their 4th brithday that week, and we were really pleased to see posts go up on YPulse and Female First for the wider Party Pieces report into the British partyscape.

Air New Zealand’s abseiling pilot

Tuesday, October 21st, 2008

We’ve been working with Air New Zealand this month to amplify a cool stunt in which one of their 747 pilots abseiled down a huge billboard in East London to paint on the missing ad slogan. A time-lapse video – see below – of the activity made it onto sites we love like AdRants, TrendHunter and Behind the Buzz, demonstrating the extra web mileage to be squeezed out of activity via investment in video .

Especially so when it’s a second bite of the cherry following the excellent work the press team did earlier in the same week getting the story and images into the Metro and on Brand Republic amongst others. The decision to produce a web-friendly video of the activity has created a permanent, engaging piece of content from this one off stunt, giving it a longevity beyond the original day’s press hit and feeding into search.

Nice work from Nintendo

Friday, September 26th, 2008

We love this, I don’t want to spoil the suprise, but it’s a great viral experience from Nintendo on YouTube that has got everyone from fanboysmarketers, gamers, beat-box forum members…and about 8,500 other people excited. It’s a fantastic bit of content, but it is marketing content – it’s an advert that’s good enough to go viral. A perfect demonstration of how strong content flys online, with your audience becoming evangelists and spreading the word for you.

Nice work!

Social Media vs. TV – learnings from Amsterdam (part one)

Friday, September 19th, 2008

A few days ago, I was lucky enough to visit Amsterdam for the annual International Broadcasting Convention (IBC) which brings together nearly 50,000 visitors from the world of TV. From traditional broadcast to exciting applications such as mobile and IPTV, the exhibition and conference is a window into all that’s going on in video and radio entertainment. But the broadcast model has never sat comfortably with the wild web – issues of rights management, content protection and the internet’s natural disposition for breeding disruptive technologies have led to these two media channels into prickly relations in the past.

Now, Michael Grade, executive chairman of ITV, has added fuel to the fire,  telling conference attendees that “Google and YouTube are just parasites, they just live off our content is what they do. As long as we can create the content, the content is the keys to the castle for us going forward. The day they start spending one billion pounds a year on content is the day I’ll start worrying.”

Grade is confusing professional content with social media content, showing a huge lack of understanding in terms of why people use TV and why people use YouTube. I’m with Shane Richmond on this one, who rightly states that “Online video is not about replicating traditional broadcast TV and it’s certainly not about cannibalising ITV’s meagre audience, which is a drop in the ocean in internet terms.”

The consumer values content above all else and is far from worried about where it comes from. It’s a fact the music business has found difficult to swallow, and the TV industry is equally reluctant to get on board. Fortunately, companies like Shiny Red client APRICO are out there getting content owners to sit up and take notice. APRICO’s software means that consumers can watch programmes from traditional TV sources as well as internet content – like the ever popular Rocketboom - all in one channel, personalised to a particular interest. Once again, content is king… we just have to recognise that its kingdom is a cross-platform one.

Case studies

Bassetts Becta ebay McDonalds National Lottery Panasonic Pfizer Sky Very Cobra Beer

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